Year |
Name |
Location |
Description |
Condition |
Image |
1893 |
Joieria Macià |
Carrer de Ferran, 18 |
Puig made the decoration of jewelry. Had a neoclassical decoration with Neomedieval sculptural details and brackets are Neoclassical.[1] |
Disappeared |
|
1896 |
Casa Martí |
C. Montsió, 3 bis
|
The ground floor is the place Els Quatre Gats, meeting venue of the modernise artists. |
Very good |
|
1898 |
Casa [2] |
C. Boqueria, 12
|
Commissioned by the owner of the Casa Martí changed many times and use long housed the inn "Branch of the universe". Have a sgraffito façade topped with battlements. The forging is of Manuel Ballarin and the cover is flanked by two statues of Arnau. Now houses a hotel. |
Very good |
|
1898–1900 |
Casa Amatller |
Passeig de Gràcia, 41
|
The chocolate industrial Antoni Amatller i Costa, became a building of 1875, he bought to move it, and commissioned works at Puig i Cadafalch, which opted to give the appearance urban gothic palace. Among the artists who were collaborating include Eusebi Arnau and Alfons Juyol responsibles of the sculpture, very important in the building. |
Very good |
|
1900 |
House-study of the photographers Napoleon[3] |
la Rambla, 18
|
Terraced building, of ground floor, main and three floors above designed by Francesc Rogent i Pedrosa, which preserves the façade of the three upper floors. In 1900 the photographers Napoleon commission reforms to locate their study. |
Totally transformed to locate Frontó Colom in 1941. |
|
1901 |
Casa Macaya |
Passeig de Sant Joan, 108
|
Urban residence with white and graffiti façade with windows decorated with sculptures and capitals by Eusebi Arnau with themes very contemporary. |
Very good |
|
1901 |
Casa Muntadas |
Av. Tibidabo, 48
|
Recreate the façade of a typical Catalan masia, decorated with floral framing doors and windows. |
Very good |
|
1902 |
Cafè Torino [4] |
Passeig de Gràcia, 18 |
Owned by the Turinan Flaminio Mezzalama, who sought to promote the Martini & Rossi vermouth, was inaugurated on September 20 of 1902[5] and that same year won an award from the City Council of Barcelona. The artists had decorated fashion as Ricard de Capmany i Roura and Antoni Gaudí that made the Arab room. The furniture was Thonet, the decorative sculpture was by Massana i Buzzi, the fresco was by Saumell i Garcia and the locksmith by Ballarin. It closed around 1910-1911.[6] |
Disappeared |
|
1902 |
Hotel Terminus |
Carrer Aragó, 282 |
Hotel located in the train station of Aragó-Passeig de Gràcia. It was a building of the rose time, very floral on the outside with a wavy capcir own of the Baroque masias. |
Disappeared in the 1960s. |
|
1903 |
Casa Serra |
Rambla de Catalunya, 126
|
The façade was built in stone and beautifully decorated, matched to the Plateresque style, and is work by Eusebi Arnau. |
Very good |
|
1903 |
Casa Mercè Pastor de Cruïlles |
Ctra. Vallvidrera a Tibidabo 102-104
|
The Torre Pastor, single-family and study, commissioned by Mercedes Pastor, is composed in the manner of the Catalan manor houses of the 15th century, from a solid body, covered hipped, with eaves and a large angular tower. Highlights the placement of blocks in opus spicatum. He is currently a religious residence of Salesian community. |
Regular |
|
1904 |
Casa Eustaqui Polo[7] |
Passeig de Sant Gervasi, 55-57 (originally was num. 149)[8] |
t was commissioned by Eustaqui Polo i Ortigosa, father of the writer Xavier Polo i Ribas. It was a modernist building with extensive gardens that was sold in 1956 to then be demolished to build three blocks of flats. |
Demolished in 1956 |
|
1904 |
Casa Trinxet |
Carrer Còrsega, 268 |
It was commissioned by Avel·lí Trinxet i Casas, a textile industrial uncle of the artist Joaquim Mir who decorated the rooms with mural paintings. With a clear influence of Secession, was part of the white time of Puig and was considered the work which began the transition to Noucentism. Despite heavy opposition to its demolition, the council Porcioles allowed his disappearance at the hands of real estate Nuñez i Navarro in March 1967. |
Demolished in 1967 |
|
1904 |
Pantheon Terrades [7] |
|
No documentation. |
? |
1904–1906 |
Palau del Baró de Quadras |
Av. Diagonal, 373
|
The Baron of Quadras commissioned Puig i Cadafalch in 1900 to build their new house in Barcelona after finishing his palace in Massanes. The building is now the seat of Casa Asia. |
Very good |
|
1905 |
Casa Terrades
Casa de les Punxes |
Av. Diagonal, 416-420
|
Apartment building structured on three scales commissioned by Àngela Brutau, widow of Terrades -client's farm Seva and pantheon of Terrades-, to reach her three daughters and that allows them to live of rent. It is a building of "medieval" look which, it says, Puig could have been inspired by the building that appears at the bottom of the table of the Mare de Déu dels Consellers.[9] |
Very good |
|
1905 |
Farmàcia Sastre i Marquès |
C. Hospital, 109 |
The property was demolished to open the Rambla del Raval. Some decorative elements such as a lamp, mosaics and some stained glass were recovered before its demolition.[1] |
Disappeared |
|
1905 |
Casa Sastre i Marqués |
C. Cardenal Vives i Tutó, 29-35
|
Private house framed in white period. The architect combined brick with sgraffito and tile glaze. It should be noted a roundabout at the corner of the garden. |
Recently restored. |
|
1909 |
Casa Llorach |
C. Muntaner, 265 |
Commissioned by Concepció Dolsa, widow of Llorach. It had a large garden overlooking the street of Muntaner with a fence building of smooth undulations. The building, of Alpine inspiration, had some amazing graffiti on the main façade.[1] |
Disappeared |
|
1910 |
Casa Àngels Macià i Monserdà [10] |
C. Anglí |
|
? |
|
1911 |
Casa Pere Company |
C. Buenos Aires, 56-58
|
Corresponds to the white time and has a Nordic touch. Now host the Museum of Sports of Catalonia. |
Very good |
|
1911 |
Fàbrica Casaramona |
Av. Marquès de Comillas,6-8
|
The Casaramona Factory is a project by architect Puig i Cadafalch commissioned by Casimir Casaramona i Puigcercós, owner of textile business, to build a new factory at the foot of Montjuïc, to replace one earlier destroyed by a fire. Currently houses the CaixaForum. |
Very good |
|
1913 |
Casa Joaquim Carreras "Santa Margarita" [11] |
C. Sant Pere Claver |
Neoclassical building, very geometric, with large gardens and walkways with pergolas to save the unevenness of the terrain through stairways and balconies with balusteres.[1] |
Disappeared |
|
1914 |
Casa Miele |
C. Ferran 2 and la Rambla
|
The Casa Miele, that sold domestic objects made of metal called precisely "Miele silver", a German invention of great international success and not just imitate the qualities of real silver but improved. Due to installing this luxurious and popular store, the architect Puig i Cadafalch did a total reform of the house which won an honorable mention in the Annual competition of artistic buildings. Currently the building has been transformed, but it shows his hand on some items that have survived: fragments of the railings on the ground floor, decoration of the balconies and rearrangement of the windows.[12] |
Transformed |
|
1914 |
Palau de la Generalitat de Catalunya |
Pl. Sant Jaume, 4
|
The establishment of the Commonwealth of Catalonia resulted in the recovery of the Palau de la Generalitat as a symbol of Catalanism. Enric Prat de la Riba commissioned to Puig i Cadafalch the rehabilitation and removal of Spanish or monarchic signs. The work allowed to place the National Library of Catalonia within the palace. |
Ok |
|
1914 |
Casa Muley Afid |
Pg. Bonanova, 55
|
Built by order of Muley Afid, Sultan Moroccan exile in Barcelona, is a building with a certain eastern touch. It currently houses the Consulate of Mexico. |
Very good |
|
1917 |
Casa Puig i Cadafalch |
C. de Provença, 231
|
It was his private house and where he died in 1956. It is a sober building, of his yellow time, in which Puig gives for completion the Gothic palace and center-European villa, seeking a more urban and repeatable housing of households.[13] |
Very good |
|
1918 |
Restaurant of the Font del Gat |
Parc de Montjuïc
|
He rebuilt the development work in the area of the font del Gat (fountain of the cat) designed by Jean Claude Nicolas Forestier in the development plan of the Montjuic mountain and joined the restaurant. For years has not the role of restaurant, and currently hosts the headquarters of the Royal Spanish Federation of Tennis.[14] |
Ok |
|
1920 |
Casa Carreras |
C. Montsió, 5
|
It can not be stressed that this is only the reform of an existing building. The façade of the passage there are two panels of painted tiles. One with St. Joachim on the portal of No. 4 and, on the edge of Montsió, another with St. Eloi of excellent modernisme drawing under stone niche very ornate. |
Very good |
|
1919 |
The Four Columns |
Pl. Cascades, s/n |
The Ionic four columns were a monument to the Catalanism, that represented the four vertical red bars of the Catalan flag and was also tied to the idea of progress represented by the 1929 Barcelona International Exposition. They were demolished by the dictatorship of Primo de Rivera which sought to remove any symbol of Catalan identity in the eyes of the world. However, thanks to the popular initiative in December 2010 were returned to raise a one less meter of tall at the same place where they were stationed in the beginning. Currently these are a symbol of perseverance, conviction and strength of language, culture and Catalan national identity. |
Very good. Demolished in 1928. Lifted in December 2010 |
|
1920 |
Palaus d'Alfons XIII i de Victòria Eugènia
Fira de Barcelona |
Pl. Cascades, s/n
|
These are the only two palaces by Puig of the built complex for the 1929 Barcelona International Exposition. Between them, to the front of the avenue and shaping the square, were was the Four Columns. |
Ok |
|
1921 |
Casa Pich i Pon |
Plaça de Catalunya, 9
|
It is a reform of a original building of Josep Vilaseca i Casanovas dedicated to offices, except the top floor which was home of the owner. |
Ok |
|
1922 |
Casa Luis Guarro |
Via Laietana, 37
|
Office building and terraced homes of Noucentisme style that, besides the traditional elements of the neoclassical style, also has some neo-Baroque elements such as the thick columns or garlands of flowers and fruits of the frontispiece. Is part of the yellow time. It was commissioned by the paper industrialist Lluís Guarro.[15] |
Regular |
|
1924 |
Casa Casaramona |
Passeig de Gracia, 48-52
|
House built by order of Casimir Casarramona, who had already commissioned his factory (Fàbrica Casaramona), years before. It is a restoration of an existing building that already incorporates a little of modernisme style, similar to the Casa Guarro in Via Laietana and clearly located to his yellow period. |
Ok |
|
1924 |
17th-century building |
Carrer Sant Pere Més Alt, 24 (Ciutat Vella)
|
He renovated an existing 17th century building. Reform the ground and three floors as well as the penthouse. |
Very good |
|
1928 |
Casa Rosa Alemany |
Av. República Argentina, 6
|
Also attributed to Lluís Planas, is an apartment building, of ground and six floors of Noucentisme style. The composition of the façade plays around the location of windows and balconies that are different in each floor. On the door is a statue of Diana. It was considered a sign of the highest modernity of the time and had the main floor located on the top floor, unlike the location in the main. It was commissioned by the political Joan Pich i Pon. |
Ok |
|